What I Saw in America by G. K. Chesterton
Author:G. K. Chesterton [Chesterton, G. K.]
Language: eng
Format: epub, azw3
Publisher: Open Road Media
Published: 2015-09-22T04:00:00+00:00
Fads and Public Opinion
A FOREIGNER IS A man who laughs at everything except jokes. He is perfectly entitled to laugh at anything, so long as he realises, in a reverent and religious spirit, that he himself is laughable. I was a foreigner in America; and I can truly claim that the sense of my own laughable position never left me. But when the native and the foreigner have finished with seeing the fun of each other in things that are meant to be serious, they both approach the far more delicate and dangerous ground of things that are meant to be funny. The sense of humour is generally very national; perhaps that is why the internationalists are so careful to purge themselves of it. I had occasion during the war to consider the rights and wrongs of certain differences alleged to have arisen between the English and American soldiers at the front. And, rightly or wrongly, I came to the conclusion that they arose from the failure to understand when a foreigner is serious and when he is humorous. And it is in the very nature of the best sort of joke to be the worst sort of insult if it is not taken as a joke.
The English and the American types of humour are in one way directly contrary. The most American sort of fun involves a soaring imagination, piling one house on another in a tower like that of a sky-scraper. The most English humour consists of a sort of bathos, of a man returning to the earth his mother in a homely fashion; as when he sits down suddenly on a butter-slide. English farce describes a man as being in a hole. American fantasy, in its more aspiring spirit, describes a man as being up a tree. The former is to be found in the cockney comic songs that concern themselves with hanging out the washing or coming home with the milk. The latter is to be found in those fantastic yarns about machines that turn live pigs into pig-skin purses or burning cities that serve to hatch an egg. But it will be inevitable, when the two come first into contact, that the bathos will sound like vulgarity and the extravagance will sound like boasting.
Suppose an American soldier said to an English soldier in the trenches, ‘The Kaiser may want a place in the sun; I reckon he won’t have a place in the solar system when we begin to hustle.’ The English soldier will very probably form the impression that this is arrogance; an impression based on the extraordinary assumption that the American means what he says. The American has merely indulged in a little art for art’s sake, and abstract adventure of the imagination; he has told an American short story. But the Englishman, not understanding this, will think the other man is boasting, and reflecting on the insufficiency of the English effort. The English soldier is very likely to say something like, ‘Oh,
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